EPII Art
Articles
Notes from the studio—process, materials, pricing, live work, and the weird space between painting, building, and everything else I get into.
When you work in more than one medium
Identity, focus, and why bouncing between paint and metal isn’t a flaw.
Canvas in a digital world
Why I still stretch fabric and push pigment when screens are everywhere.
What welding taught me about composition
Heat, joint lines, and learning to see structure before color.
How I know a piece is finished
Signals, traps, and the difference between done and merely tired.
Photographing your own art
Light, angle, and color so your work looks like itself online.
Before you say yes to a commission
Questions that save time, money, and awkward conversations later.
Pricing originals and prints
A straight talk framework when you’re guessing at numbers.
Live streaming and the studio
What changes when people watch you work in real time.
Scrap metal and honest materials
Found objects, imperfection, and the story already in the steel.
Color mixes I keep coming back to
Reliable harmonies and muddy disasters I’ve learned to love.
Breaks without losing the thread
Rest that refreshes instead of killing momentum.
Sharing work online without burnout
Rhythm, boundaries, and posting like a human.
From small sketch to big piece
Scaling ideas without losing the spark that started them.
Why I film the messy middle
Process video isn’t vanity—it’s proof and teaching.
Where art lives now
Galleries, markets, feeds, and rooms—meeting viewers where they are.
Packing and shipping originals
Corners, tape, and the paranoia that keeps paintings alive in transit.
Art block versus real fatigue
Telling them apart so you don’t shame yourself for needing sleep.
What I hope you feel in the gallery
Curiosity, pause, and the reason I leave rough edges in.
Learning in public as an artist
Mistakes on camera, comments, and growing without pretending you’re done.